Vincent van Gogh
Vincent van Gogh's Oil Paintings
Vincent van Gogh Museum
1853 – 1890. Dutch post-Impressionist painter.

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Vincent Van Gogh
Self Portrait with Bandaged Ear and Pipe

ID: 73287

Vincent Van Gogh Self Portrait with Bandaged Ear and Pipe
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Vincent Van Gogh Self Portrait with Bandaged Ear and Pipe


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Vincent Van Gogh

Dutch Post-Impressionist Painter, 1853-1890 Vincent Willem van Gogh (30 March 1853 ?C 29 July 1890) was a Dutch Post-Impressionist artist. Some of his paintings are now among the world's best known, most popular and expensive works of art. Van Gogh spent his early adult life working for a firm of art dealers. After a brief spell as a teacher, he became a missionary worker in a very poor mining region. He did not embark upon a career as an artist until 1880. Initially, Van Gogh worked only with sombre colours, until he encountered Impressionism and Neo-Impressionism in Paris. He incorporated their brighter colours and style of painting into a uniquely recognizable style, which was fully developed during the time he spent at Arles, France. He produced more than 2,000 works, including around 900 paintings and 1,100 drawings and sketches, during the last ten years of his life. Most of his best-known works were produced in the final two years of his life, during which time he cut off part of his left ear following a breakdown in his friendship with Paul Gauguin. After this he suffered recurrent bouts of mental illness, which led to his suicide. The central figure in Van Gogh's life was his brother Theo, who continually and selflessly provided financial support. Their lifelong friendship is documented in numerous letters they exchanged from August 1872 onwards. Van Gogh is a pioneer of what came to be known as Expressionism. He had an enormous influence on 20th century art, especially on the Fauves and German Expressionists.  Related Paintings of Vincent Van Gogh :. | Fishing in the Spring | Quay with Men Unloading Sand Barges (nn04) | Agostina Segatori in the cafe you Tambourin | The Artist's Bedroom in Arles (mk09) | Bridges Across the Seine at Asnieres |
Related Artists:
Edwin Blashfield
(December 5, 1848 - October 12, 1936), an American artist, was born in New York City. He was a pupil of Leon Joseph Florentin Bonnat in Paris beginning in 1867, and became (1888) a member of the National Academy of Design in New York. For some years a genre painter, he later turned to decorative work, where his academic background in painting and extensive travels to study fresco painting in Italy melded in work marked by rare delicacy and beauty of coloring. Considered a leading muralist of the late 19th century, he painted mural decorations or created mosaics in a number of places associated with the American Renaissance period. His style is cited as an influence of Pierre Puvis de Chavannes, Jean-Paul Laurens, and Paul Baudr. With his wife he wrote Italian Cities (1900) and edited Vasari's Lives of the Painters (1896), and was well known as a lecturer and writer on art. He became president of the Society of Mural Painters, and of the Society of American Artists.
NEER, Eglon van der
Dutch Baroque Era Painter, ca.1634-1703 Son of Aert van der Neer. His birth date is based on Houbraken's statement that the artist was 70 years old when he died. He apparently studied first with his father and then with the genre and history painter Jacob van Loo. According to Houbraken, van der Neer was in France c. 1654, where he served as painter to the Counts of Dona, Dutch governors of the principality of Orange. He returned to Holland by 1659 and is recorded as a resident of Amsterdam at the time of his marriage to Maria van Wagensvelt in Rotterdam on 20 February 1659.
Paula Modersohn-Becker
German 1876-1907 Paula Becker was born and grew up in Dresden-Friedrichstadt. She was the third child of seven children in her family. Her father who was the son of a Russian university professor, was employed with the German railway. He and Modersohn-Becker's mother, who was from an aristocratic family, provided the children a cultured and intellectual environment in the house hold. Modersohn-Becker's parental home 1888-1899In 1888 her parents moved from Dresden to Bremen. While visiting an aunt in London, England, she received her first instruction in drawing. Apart from her teacher's training in Bremen in 1893-1895, Paula took private instruction in painting. In 1896 she participated in a course for painting and drawing sponsored by the "Verein der Berliner K??nstlerinnen" (Union of Berlin Female Artists) which offered art studies to women. Paula Modersohn-Becker. Clara Rilke WesthoffAt the age of 22, she encountered the artistic community of Worpswede. In this "village", artists such as Fritz Mackensen (1866-1953) and Heinrich Vogeler (1872-1942) had retreated to protest against the domination of the art academy and life in the big city. At Worpswede, Paula Modersohn-Becker took painting lessons from Mackensen. The main subjects were the life of the farmers and the northern German landscape. At this time she began close friendships with the sculptor Clara Westhoff (1875-1954) and the poet Rainer Maria Rilke (1875-1926). She also fell in love during this period, and in 1901 she married a fellow Worpswede painter, Otto Modersohn. In marrying Otto, she also became a stepmother to Otto's daughter, Elsbeth Modersohn, the child from his first marriage to Helene Modersohn, then deceased. Paula Modersohn-Becker. Rainer Maria Rilke, 1906Between 1900 and 1907, Paula made several extended trips to Paris for artistic purposes, sometimes living separately from her husband, Otto. During one of her residencies in Paris, she took courses at the Ecole des Beaux-Arts. She visited contemporary exhibitions often, and was particularly intrigued with the work of Paul C??zanne. Other post impressionists were especially influential, including Vincent Van Gogh and Paul Gauguin. Fauve influences may also appear in such works as Poorhouse Woman with a Glass Bottle. The influence by the work of French painter, Jean-Francois Millet, who was widely admired among the artists in the Worpswede group, may be seen in such pieces as her 1900 Peat Cutters. Reclining Mother and ChildIn her last trip to Paris in 1906, she produced a body of paintings from which she felt very great excitement and satisfaction. During this period of painting, she produced her initial nude self-portraits (something surely unprecedented by a female painter) and portraits of friends such as Rainer Maria Rilke and Werner Sombart. Some critics consider this period of her art production to be the strongest and most compelling. Paula with Mathilde, November 1907 (days before Paula's death)In 1907, Paula Modersohn-Becker returned to her husband in Worpswede. Their relationship, which had been particularly strained in 1906, had taken a turn towards improvement. Paula's long-lived wish to conceive and bear a child was fulfilled. Her daughter Mathilde (Tillie) Modersohn was born on November 2, 1907. Paula and Otto were joyous. Sadly, the joy became soon overshadowed by tragedy, as Paula Modersohn-Becker died suddenly in Worpswede on November 20th from an embolism. In 1908, Rainer Maria Rilke wrote the renowned poem, "Requiem for a Friend", in Paula's memory. The poem was born of the imprint that Paula's life, death and friendship left upon Rilke.






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